<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Welcome to audio-intl</title>
	<atom:link href="http://audikron.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://audikron.com</link>
	<description></description>
	<lastBuildDate>Thu, 04 Apr 2013 08:19:41 +0000</lastBuildDate>
	<language>de</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
		<item>
		<title>A.E.C Historie</title>
		<link>http://audikron.com/2013/02/a-e-c-history/?lang=de</link>
		<comments>http://audikron.com/2013/02/a-e-c-history/?lang=de#comments</comments>
		<pubDate>Tue, 19 Feb 2013 08:46:13 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=2158</guid>
		<description><![CDATA[&#160; Audio Engeenering Components AEC – Audio Engineering Components A.E.C. wurde 1972 zu einer Zeit gegründet als der graphische Equalizer, der bis dahin ausschließlich ein Werkzeug der Studioprofis war, seinen Siegeszug auf dem Hifi-Markt antrat. Stets den neuesten Stand der Technik im Auge und im Wissen um die Bedeutung neuer Entwicklungen erkannte A.E.C. frühzeitig das [...]]]></description>
		<wfw:commentRss>http://audikron.com/2013/02/a-e-c-history/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Produkte</title>
		<link>http://audikron.com/2013/01/products/?lang=de</link>
		<comments>http://audikron.com/2013/01/products/?lang=de#comments</comments>
		<pubDate>Tue, 29 Jan 2013 10:38:44 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=2069</guid>
		<description><![CDATA[A.E.C. Sound­lab Se­ries Currently we have five models in our line. Each is targeted for a particular market. Several important technical innovations have been introduced recently that should be noted. A new precision-molded compound diaphragm clamp is now employed on all models. The clamp absolutely ends diaphragm creep and locks in the factory-set diaphragm tension [...]]]></description>
		<wfw:commentRss>http://audikron.com/2013/01/products/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Konstruktionsprinzipien</title>
		<link>http://audikron.com/2012/11/konstruktionsprinzipien-des-amadeus-plattenspielers/?lang=de</link>
		<comments>http://audikron.com/2012/11/konstruktionsprinzipien-des-amadeus-plattenspielers/?lang=de#comments</comments>
		<pubDate>Mon, 26 Nov 2012 13:10:20 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>
		<category><![CDATA[show]]></category>
		<category><![CDATA[welltemperedpreisliste]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=2017</guid>
		<description><![CDATA[WTL Konstruktionsprinzipien 1977 präsentierte Poul Ladegaard von Brüel und Kjær, dem auf Schallmessungen spezialisierten dänischen Unternehmen, unter dem Titel „Audible Effects of Mechanical Resonances in Turnables“ einen bahnbrechenden wissenschaftlichen Artikel zur mechanischen Stabilität von Hifi-Plattenspielern. Auf Grundlage der Fourier Transformation analysierte Poul Ladegaard einen High End Plattenspieler mit dem Ergebnis, dass dessen Tonarm zur Vermeidung [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/11/konstruktionsprinzipien-des-amadeus-plattenspielers/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Well Tempered Test / Helmut Rohrwild</title>
		<link>http://audikron.com/2012/11/well-tempered-test-helmut-rohrwild/?lang=de</link>
		<comments>http://audikron.com/2012/11/well-tempered-test-helmut-rohrwild/?lang=de#comments</comments>
		<pubDate>Mon, 26 Nov 2012 13:00:48 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>
		<category><![CDATA[showWTLTEST]]></category>
		<category><![CDATA[welltemperedpreisliste]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=2009</guid>
		<description><![CDATA[WTL Amadeus 09.07.2009von Helmut Rohrwild © http://www.hifi-statement.net Well Tempered is back! Nach einer mehrjährigen Auszeit ist Bill Firebaugh mit einem neuen Plattenspieler wieder da und wie schon in den Tagen der einstigen Well Tempered-Plattenspieler scheint der Kinks-Titel „I‘m not like everybody else!“ sein konstruktives Leitmotiv zu sein. Machen Sie sich auf Ungewöhnliches gefasst. Well Tempered [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/11/well-tempered-test-helmut-rohrwild/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Presse Ampzilla</title>
		<link>http://audikron.com/2012/09/1946/?lang=de</link>
		<comments>http://audikron.com/2012/09/1946/?lang=de#comments</comments>
		<pubDate>Sun, 23 Sep 2012 11:46:38 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>
		<category><![CDATA[showAmpzillaTEST]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1946</guid>
		<description><![CDATA[&#160; Spread Spectrum Technologies Ampzilla 2000 The Absolute Sound has awarded product of the year awards for both the Ampzilla2000 amps and the Ambrosia preamp. Absolute Sounds Editor’s Choice Award 2012 03/2009 &#8211; hifi statement 11/2007 &#8211; Gib GAS! 05/2004 &#8220;Son of Ampzilla 2000&#8243; Supertest in STEREO 06/2004 2004 &#8211; &#8220;Nie mehr Stereo!&#8221; Der Trinaural [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/09/1946/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hühnchen im Topf, überbacken</title>
		<link>http://audikron.com/2012/09/chicken-pot-pie-other-stories/?lang=de</link>
		<comments>http://audikron.com/2012/09/chicken-pot-pie-other-stories/?lang=de#comments</comments>
		<pubDate>Mon, 17 Sep 2012 14:19:02 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[neues]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1901</guid>
		<description><![CDATA[Was gibt es Neues bei Audio Int´l&#8230; ..das Aussergewöhnliche ist immer neu! Hühnchen im Topf, überbacken Am Tresen meines Lieblingsrestaurants hörte ich unlängst folgende Geschichte von einem Vater, der von seinem Einsatz während des zweiten Weltkriegs zurück einige Tage in Los Angeles verbrachte. An einem Donnerstagmittag machte er sich zusammen mit seinem Kumpel auf die [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/09/chicken-pot-pie-other-stories/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Das neue, eine moderne Krankheit&#8230;</title>
		<link>http://audikron.com/2012/09/obsession-with-things-new-a-modern-illness/?lang=de</link>
		<comments>http://audikron.com/2012/09/obsession-with-things-new-a-modern-illness/?lang=de#comments</comments>
		<pubDate>Mon, 17 Sep 2012 13:18:08 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[neues]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1877</guid>
		<description><![CDATA[&#160; Was gibt es Neues bei Audio Int´l&#8230; ..das Aussergewöhnliche ist immer neu! Das Neue, eine moderne Krankheit Was heute nicht der letzte Schrei ist, ist „out“. Die HiFi-Welt bleibt davon nicht verschont. Es sind in den letzten Jahren so viele Geräte hochgejubelt worden, die einige Monate später in den Kleinanzeigen landeten und das zum [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/09/obsession-with-things-new-a-modern-illness/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vinylklang 2.0</title>
		<link>http://audikron.com/2012/09/vinylklang-2-0/?lang=de</link>
		<comments>http://audikron.com/2012/09/vinylklang-2-0/?lang=de#comments</comments>
		<pubDate>Sat, 08 Sep 2012 12:26:29 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1848</guid>
		<description><![CDATA[Reportage STEREO 8/2012 Bei digitalen Medien gilt die Maxime: je hochauflösender das Format, desto besser der Klang. Doch woran erkennt man eine gute Schallplatte? Auch wenn Hi-Res-Downloads nicht immer mit 24 Bit/96 kHz daherkommen und SACDs vom Bitstrom in ein PCM-Signal gewandelt werden, so ist für den Digitalhörer die Richtung klar. Je höher die Bitrate [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/09/vinylklang-2-0/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pandora&#8217;s Boxes</title>
		<link>http://audikron.com/2012/06/pandoras-boxes/?lang=de</link>
		<comments>http://audikron.com/2012/06/pandoras-boxes/?lang=de#comments</comments>
		<pubDate>Sun, 24 Jun 2012 11:37:39 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[ziele]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1828</guid>
		<description><![CDATA[&#160; Pandora&#8217;s Boxes Contents Introduction Chapter 1 Human Hearing: How do we really hear? Chapter 2 The Stereo Equation: Correct Format, Or Impossible Science? Chapter 3 Loudspeakers &#38; Acoustics: Why The Whole Thing Sucks Chapter 4 Circuit Design: True Science or Gobbledygook? Chapter 5 FM Technology: Can It Really Be Acceptable? Chapter 6 Numbers, Numbers, [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/06/pandoras-boxes/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Design Considerations: Why Tubes sound better</title>
		<link>http://audikron.com/2012/06/design-considerations-why-tubes-sound-better/?lang=de</link>
		<comments>http://audikron.com/2012/06/design-considerations-why-tubes-sound-better/?lang=de#comments</comments>
		<pubDate>Thu, 07 Jun 2012 10:12:40 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[ziele]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1791</guid>
		<description><![CDATA[Design Considerations: Why Tubes Sound Better by James Bongiorno Great American Sound Co. First of all, I would like everyone to know that I&#8217;m writing from a position of subdued authority, this authority of course is vested in me by myself. Now for all of you out there in audio city who want to scream [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/06/design-considerations-why-tubes-sound-better/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eine Legende kehrt zurück</title>
		<link>http://audikron.com/2012/02/deutsch-eine-legende-kehrt-zuruck/?lang=de</link>
		<comments>http://audikron.com/2012/02/deutsch-eine-legende-kehrt-zuruck/?lang=de#comments</comments>
		<pubDate>Mon, 06 Feb 2012 16:12:57 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>
		<category><![CDATA[showAmpzillaTEST]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1565</guid>
		<description><![CDATA[Spread Spectrum Technologies]]></description>
		<wfw:commentRss>http://audikron.com/2012/02/deutsch-eine-legende-kehrt-zuruck/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Press SVC</title>
		<link>http://audikron.com/2012/02/press-svc/?lang=de</link>
		<comments>http://audikron.com/2012/02/press-svc/?lang=de#comments</comments>
		<pubDate>Mon, 06 Feb 2012 10:52:59 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1542</guid>
		<description><![CDATA[&#160; Stereophile Show 2007 The SVC room across the hall was a different experience altogether. What appeared to be a throwback may well be a step into the future. The SVC stereo control center looked very similar to the high end of Pioneer&#8217;s separate components of the 1970s, loaded with such contraband as tone controls [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/02/press-svc/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SVC C-R röhren mono block verstärker</title>
		<link>http://audikron.com/2012/02/svc-c-r-tube-mono-block-amplifier/?lang=de</link>
		<comments>http://audikron.com/2012/02/svc-c-r-tube-mono-block-amplifier/?lang=de#comments</comments>
		<pubDate>Mon, 06 Feb 2012 10:39:11 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1539</guid>
		<description><![CDATA[&#160; The SVC C-2 tube mono block amplifier is a Harmon/Kardon Citation II design.  This classic is reborn in 2005-style with top-of-the-line components, hand wiring and state-of-the-art transformer technology.  Reviewers wrote of the original: &#8220;The realism of the virtually distortion-free music was nothing less than startling. Our initial amazement gave way to an easy, relaxed [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/02/svc-c-r-tube-mono-block-amplifier/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Besprechung ESS 450</title>
		<link>http://audikron.com/2012/02/review-ess-450/?lang=de</link>
		<comments>http://audikron.com/2012/02/review-ess-450/?lang=de#comments</comments>
		<pubDate>Sun, 05 Feb 2012 11:02:55 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1472</guid>
		<description><![CDATA[Review ESS 450]]></description>
		<wfw:commentRss>http://audikron.com/2012/02/review-ess-450/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ESS Produkte</title>
		<link>http://audikron.com/2012/02/ess-products/?lang=de</link>
		<comments>http://audikron.com/2012/02/ess-products/?lang=de#comments</comments>
		<pubDate>Sun, 05 Feb 2012 10:23:19 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1462</guid>
		<description><![CDATA[Products ESS AMT 1 Tower The AMT 1 Tower, though quite dissimilar in appearance from the AMT 1, is a &#8220;high performance&#8221; luxury version of our first design and extracts every bit of low range potential in the AMT 1 woofer by utilizing a cosiderably larger and more complex enclosure. The AMT 1 Tower incorporates [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/02/ess-products/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Konzept</title>
		<link>http://audikron.com/2012/01/conzept/?lang=de</link>
		<comments>http://audikron.com/2012/01/conzept/?lang=de#comments</comments>
		<pubDate>Thu, 12 Jan 2012 09:59:06 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1358</guid>
		<description><![CDATA[A.E.C. Sound­lab Se­ries The Sound-Lab Philosophy All of our speakers are &#8220;line sources&#8221; by nature. Two beneficial aspects of our line sources are, first, the proximity effect and, secondly, the fulfillment of the reciprocity principle. Unlike the &#8220;point source&#8221; which disperses energy in all directions the line source disperses only in the horizontal plane. Energy [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/conzept/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Well Tempered Amadeus Plattenspieler</title>
		<link>http://audikron.com/2012/01/well-tempered-amadeus-plattenspieler/?lang=de</link>
		<comments>http://audikron.com/2012/01/well-tempered-amadeus-plattenspieler/?lang=de#comments</comments>
		<pubDate>Sat, 07 Jan 2012 13:28:10 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>
		<category><![CDATA[showWTLTEST]]></category>
		<category><![CDATA[welltemperedpreisliste]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1193</guid>
		<description><![CDATA[&#160; Well Tempered Well Tem­pered SIM­PLEX Im Simplex ist der Kern des kreativen Genies eines William Firebaugh verkörpert Als auf das absolut Wesentliche heruntergebrochene Version des berühmten Amadeus setzt dieser neue Plattenspieler für das erschwingliche analoge Vergnügen einen neuen Standard. „Abschließend bleibt festzustellen, dass der Simplex ein zielgenau auf den Punkt spielendes und hervorragend klingendes [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/well-tempered-amadeus-plattenspieler/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ampzilla 2000</title>
		<link>http://audikron.com/2012/01/ampzilla-2000/?lang=de</link>
		<comments>http://audikron.com/2012/01/ampzilla-2000/?lang=de#comments</comments>
		<pubDate>Fri, 06 Jan 2012 19:09:37 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>
		<category><![CDATA[showAmpzillaTEST]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1166</guid>
		<description><![CDATA[the absolute sound: Ampzilla Spread Spectrum Technologies &#8195; Ampzilla 2000 The Absolute Sound has awarded product of the year awards for both the Ampzilla2000 ampsand the Ambrosia preamp. Absolute Sounds Editor&#8217;s Choice Award 2012]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/ampzilla-2000/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Box Star Records</title>
		<link>http://audikron.com/2012/01/box-star-records/?lang=de</link>
		<comments>http://audikron.com/2012/01/box-star-records/?lang=de#comments</comments>
		<pubDate>Fri, 06 Jan 2012 18:00:46 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1159</guid>
		<description><![CDATA[Box Star Records Boxs­tar Records was es­tab­lished to build a last­ing cat­a­log of metic­u­lously pro­duced, high qual­ity vinyl records. All of Boxs­tar’s reis­sues begin with care­fully re­searched orig­i­nal ana­log tape, and are re­mas­tered in the finest ana­log fa­cil­i­ties avail­able. With at­ten­tion to de­tail, and a com­mit­ment to beau­ti­ful graphic re­pro­duc­tions, Boxs­tar’s vinyl cat­a­log rep­re­sents the [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/box-star-records/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Impex Records</title>
		<link>http://audikron.com/2012/01/impex-records/?lang=de</link>
		<comments>http://audikron.com/2012/01/impex-records/?lang=de#comments</comments>
		<pubDate>Fri, 06 Jan 2012 16:06:08 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1152</guid>
		<description><![CDATA[Impex Records Impex Records is the ex­cit­ing new au­dio­phile label from the team that brought you Cisco Music. With more than 20 years of ex­pe­ri­ences and 150 ti­tles re­leased, Cisco Music pro­duced the high­est qual­ity 180 grams vinyl, SACD, Gold CD and CD ti­tles. From sump­tu­ous pop of Jen­nifer Warnes ‘ Fa­mous Blue Rain­coat to [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/impex-records/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>presse</title>
		<link>http://audikron.com/2012/01/press/?lang=de</link>
		<comments>http://audikron.com/2012/01/press/?lang=de#comments</comments>
		<pubDate>Thu, 05 Jan 2012 16:07:10 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[presse]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1141</guid>
		<description><![CDATA[<!--:en-->
<!--:-->]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/press/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>BUL­LET IN­TER­CON­NECTS eX­press</title>
		<link>http://audikron.com/2012/01/bul%c2%adlet-in%c2%adter%c2%adcon%c2%adnects-ex%c2%adpres/?lang=de</link>
		<comments>http://audikron.com/2012/01/bul%c2%adlet-in%c2%adter%c2%adcon%c2%adnects-ex%c2%adpres/?lang=de#comments</comments>
		<pubDate>Thu, 05 Jan 2012 14:18:51 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1125</guid>
		<description><![CDATA[BUL­LET IN­TER­CON­NECTS eX­press BUL­LET IN­TER­CON­NECTS eX­press Ra­di­cal new de­sign based on the pa­ten­ted Eich­mann ratio. Model Sug­gested Re­tail Price eX­press 4 2 x 1,0 m €149.50 2 x 1,5 m €169,50 2 x 2,0 m €189,50 eX­press 6 2 x 1,0 m €259,50 2 x 1,5 m €325,00 2 x 2,0 m €389,00 eX­press 6 [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/bul%c2%adlet-in%c2%adter%c2%adcon%c2%adnects-ex%c2%adpres/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>QUIES­SENCE  SPEA­KER Q100</title>
		<link>http://audikron.com/2012/01/quies%c2%adsence-spea%c2%adker-ca%c2%adbles-q100/?lang=de</link>
		<comments>http://audikron.com/2012/01/quies%c2%adsence-spea%c2%adker-ca%c2%adbles-q100/?lang=de#comments</comments>
		<pubDate>Thu, 05 Jan 2012 13:14:05 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1115</guid>
		<description><![CDATA[QUIES­SENCE Speaker]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/quies%c2%adsence-spea%c2%adker-ca%c2%adbles-q100/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>QUIES­SENCE Interconnect</title>
		<link>http://audikron.com/2012/01/quies%c2%adsence-interconnect/?lang=de</link>
		<comments>http://audikron.com/2012/01/quies%c2%adsence-interconnect/?lang=de#comments</comments>
		<pubDate>Thu, 05 Jan 2012 13:01:49 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1111</guid>
		<description><![CDATA[QUIES­SENCE Interconnect The pro­duct of over 25 years of re­se­arch and de­ve­lop­ment by de­si­gner Keith Eich­mann, the Quies­sence™ se­ries re­pres­ents an all out as­sault on the high end of the cable mar­ket. Keith Eich­mann, ac­cor­ding to the com­pa­ny’s head of cor­po­ra­te mar­ke­ting, has ap­proa­ched cable de­sign from a uni­que and la­te­ral thin­king di­rec­tion over this [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/quies%c2%adsence-interconnect/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Verbindungen</title>
		<link>http://audikron.com/2012/01/connectors/?lang=de</link>
		<comments>http://audikron.com/2012/01/connectors/?lang=de#comments</comments>
		<pubDate>Wed, 04 Jan 2012 17:35:45 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1095</guid>
		<description><![CDATA[Connectors First new de­sign of the RCA plug in 50 years. Ra­di­cal­ly new in­ven­ti­on based on known laws of phy­sics. ETI’s Bul­let­P­lug®, Ba­yo­net Plug™ and Ca­ble­Pod™ are high­ly in­no­va­ti­ve and uni­que – often de­scri­bed as “ground­brea­king” They brought a whole new level of re­so­lu­ti­on to re­pro­du­ced music and high qua­li­ty video, and they were all [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/connectors/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AC Strom-Kabel</title>
		<link>http://audikron.com/2012/01/ac-enhancing-cable/?lang=de</link>
		<comments>http://audikron.com/2012/01/ac-enhancing-cable/?lang=de#comments</comments>
		<pubDate>Wed, 04 Jan 2012 17:29:23 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1093</guid>
		<description><![CDATA[AC Enhancing Cable The choice of AC power cable can have a dramatic effect on the sound and image quality of an audio and home theater system. AC cables play a big part in controlling RFI, EMI – and their associated resonances, together with other harmonic resonances that are carried with AC power. Some AC [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/ac-enhancing-cable/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bullet Plug® silber</title>
		<link>http://audikron.com/2012/01/bullet-plug-silver/?lang=de</link>
		<comments>http://audikron.com/2012/01/bullet-plug-silver/?lang=de#comments</comments>
		<pubDate>Wed, 04 Jan 2012 17:25:52 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1091</guid>
		<description><![CDATA[Bullet Plug® goes silver. Following widespread acclaim of the Bullet Plug® RCA connector, Australian Company Bullet Technologies announce the launch of the new ”pure silver“ contact pin version of the plug. The Bullet Plug® connector is the first major change to the RCA plug design in fifty years, where the return or ground collar (designed [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/bullet-plug-silver/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bullet Plug® Stecker</title>
		<link>http://audikron.com/2012/01/bullet-plug-connector/?lang=de</link>
		<comments>http://audikron.com/2012/01/bullet-plug-connector/?lang=de#comments</comments>
		<pubDate>Wed, 04 Jan 2012 17:03:38 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1089</guid>
		<description><![CDATA[Bullet Plug® connector The Bullet Plug® connector is a totally new approach to RCA/phono connection where every aspect of electron flow has been considered. The result is an RCA compatible connector that can improve the performance of any analogue, digital or video cable – often dramatically. The cables most people use are made from high-conductive, [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/bullet-plug-connector/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Australische Innovation</title>
		<link>http://audikron.com/2012/01/australien-innovation/?lang=de</link>
		<comments>http://audikron.com/2012/01/australien-innovation/?lang=de#comments</comments>
		<pubDate>Wed, 04 Jan 2012 17:01:28 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1087</guid>
		<description><![CDATA[Australian Innovation ETI was formed as Eichmann Technologies International in 2000. The company quickly catapulted into visibility at the leading edge of the audio/video connector industry with products such as the BulletPlug®, Bayonet Plug™ and CablePod™, and later cables and interconnects. These products had several important things in common. They were highly innovative and unique [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/australien-innovation/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Johnny Cash</title>
		<link>http://audikron.com/2012/01/the-great-performers/?lang=de</link>
		<comments>http://audikron.com/2012/01/the-great-performers/?lang=de#comments</comments>
		<pubDate>Tue, 03 Jan 2012 11:44:04 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=1031</guid>
		<description><![CDATA[&#160; THE GREAT PERFORMERS Johnny Cash war weitaus mehr als nur ein Country-Sänger:Er war Prediger, Sünder, Rock&#8217;n'Roller, lebende Legende – und das Gewissen Amerikas. Für eines seiner letzten Interviews, wenige Wochen vor seinem Tod, war Johnny Cash zu Gast beim amerikanischen TV-Talkkönig Larry King. Der 71-jährige war sichtlich gezeichnet von den Auswirkungen des Shy-Drager-Syndroms, doch [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/the-great-performers/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Reviews</title>
		<link>http://audikron.com/2012/01/reviews/?lang=de</link>
		<comments>http://audikron.com/2012/01/reviews/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:20:34 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=933</guid>
		<description><![CDATA[Test „Der SAE ATP 8500 weist eine herausragende Flexibilität auf. Eine Vielzahl von Eigenschaften macht ihn ausgesprochen attraktiv. Besonders hinzuweisen ist auf die große Anzahl von Eingängen, die die unterschiedlichsten Ansprüche erfüllen. So gibt es einen digitalen XLR-Eingang (AES/EBU), der üblicherweise im professionellen Bereich eingesetzt wird und sonst nur in den edelsten Geräten für den [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/reviews/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ATP6012</title>
		<link>http://audikron.com/2012/01/atp6012/?lang=de</link>
		<comments>http://audikron.com/2012/01/atp6012/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:20:15 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=931</guid>
		<description><![CDATA[ATP 6012 The AT6012 is the perfect solution for those multi-room sound installations requiring the utmost in flexibility, reliability and audiophilequality sound. This 12-channel, 6-zone power amplifier incorporates the same legendary sound and design criteria as our other award winning amplifiers&#8211;without exception. The AT6012 consists of six 2-channel modules and each zone’s volume (gain) can [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/atp6012/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ATP2000</title>
		<link>http://audikron.com/2012/01/atp2000/?lang=de</link>
		<comments>http://audikron.com/2012/01/atp2000/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:19:44 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=929</guid>
		<description><![CDATA[ATP 2000 The AT2000 Pure Balance”&#174; series feature ALL the same design elements of the AT3000 except that the power output is 200WRMS/channel into 8 Ohms. Configurations are available from 2 to 7 channels. Additional modules are available.With the AT3000 SAE’s “Pure Balance” &#174; technology introduces a range of models that feature true differential design; [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/atp2000/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ATP1800</title>
		<link>http://audikron.com/2012/01/atp1800atp2000atp6012reviews/?lang=de</link>
		<comments>http://audikron.com/2012/01/atp1800atp2000atp6012reviews/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:19:08 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=926</guid>
		<description><![CDATA[ATP 1800 The AT1800 series is the direct outgrowth of the award winning AT1505 5-channel amplifier that led the home theater industry in audiophile-grade sound and performance at a value price. The AT1800 is available in 6 configurations from the AT1802 2-channel model to the AT1807 7-channel version. Power is 180WRMS/channel into 8 Ohms from [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/atp1800atp2000atp6012reviews/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ATP202/</title>
		<link>http://audikron.com/2012/01/atp202/?lang=de</link>
		<comments>http://audikron.com/2012/01/atp202/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:18:25 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=923</guid>
		<description><![CDATA[ATP 1202 The AT1202 is a 2-channel power amplifier that combines rugged design attributes with audiophile-grade performance. The AT1202 delivers 120WRMS into 8 Ohms from 20Hz to 20kHz with no more than 0.03% THD and I.M. distortion with both channels driven. Of significant importance to the custom installer is the AT1202’s stability with complex capacitive [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/atp202/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ATP602</title>
		<link>http://audikron.com/2012/01/atp602/?lang=de</link>
		<comments>http://audikron.com/2012/01/atp602/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:17:57 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=921</guid>
		<description><![CDATA[ATP602 The AT602 is a 2-channel power amplifier that combines rugged design attributes with audiophile-grade performance. The AT602 delivers 60WRMS into 8 Ohms from 20Hz to 20kHz with no more than 0.03% THD and I.M. distortion with both channels driven. Of significant importance to the custom installer is the AT602’s stability with complex capacitive and [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/atp602/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ATP8500</title>
		<link>http://audikron.com/2012/01/atp8500/?lang=de</link>
		<comments>http://audikron.com/2012/01/atp8500/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:17:16 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=919</guid>
		<description><![CDATA[ATP8500 The TP8500 Audio Video Preamp Processor is a truly unique product. More than just a preamplifier, the ATP8500 is a complete control center. The ATP8500 allows the casual user or the most experienced custom installer the ability to customize even the most complex installations. SAE has successfully combined the purest sonic capabilities with the [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/atp8500/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ATP7500/</title>
		<link>http://audikron.com/2012/01/atp7500/?lang=de</link>
		<comments>http://audikron.com/2012/01/atp7500/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:14:42 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=914</guid>
		<description><![CDATA[ATP7500 The ATP7500 is a surround sound preamp-processor with the ability to process virtually all current digital and analog processes. Performance attributes and features considered essential by SAE are: Outstanding sound quality, the result of a wide-bandwidth, low-distortion design. 2 component video inputs, 6 composite video inputs, 6 SVHS inputs, and 1 component video out, [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/atp7500/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SAE manufacturing</title>
		<link>http://audikron.com/2012/01/sae-manufacturing/?lang=de</link>
		<comments>http://audikron.com/2012/01/sae-manufacturing/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:14:07 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=912</guid>
		<description><![CDATA[SAE manufacturing: No shortcuts, no compromises Wiring Open most multi-channel power amplifiers and you will see a “rat ’s nest ”—dozens of wires running haphazardly through the chassis. Open up an SAE amplifier, though, and you will see a clean layout, with wires wrapped neatly in a fiberglass cloth tubing originally developed for the aerospace [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/sae-manufacturing/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Interview with Morris Kessler</title>
		<link>http://audikron.com/2012/01/interview-with-morris-kessler/?lang=de</link>
		<comments>http://audikron.com/2012/01/interview-with-morris-kessler/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 15:13:39 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=910</guid>
		<description><![CDATA[Interview Morris Kessler, SAE Founder and Chief Engineer Is there an overall philosophy in the way you design and build products? In all the products I&#8217;ve designed-even going back over 40 years-the focus is on value and performance. While SAE products aren&#8217;t inexpensive, the user always gets his money&#8217;s worth. They don&#8217;t get a box [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/interview-with-morris-kessler/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ACTIVE CROSSOVER</title>
		<link>http://audikron.com/2012/01/active-crossover/?lang=de</link>
		<comments>http://audikron.com/2012/01/active-crossover/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:31:07 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=897</guid>
		<description><![CDATA[active crossover Musical Technology’s complement of electronic crossovers has been designed to deliver nothing less than the highest possible audio performance. They were born of an absolutist tradition, one that eschews complexity for the simplest circuits possible, where great attention is paid to the signal path, and where only the finest components are used, regardless [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/active-crossover/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MONO MOSFET POWER AMPLIFIERS</title>
		<link>http://audikron.com/2012/01/mono-mosfet-power-amplifiers/?lang=de</link>
		<comments>http://audikron.com/2012/01/mono-mosfet-power-amplifiers/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:27:45 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=885</guid>
		<description><![CDATA[MONO MOSFET POWER AMPLIFIERS Musical Technology’s M series MOSFET power amplifiers are the result of years of painstaking circuit design. The overriding goal in this process was to retain in a solid state amplifier the sweetness and warmth as well as the speed and definition typical of our FT hybrid amplifiers, amplifiers heralded by critics, [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/mono-mosfet-power-amplifiers/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>FT A-70</title>
		<link>http://audikron.com/2012/01/ft-a-70/?lang=de</link>
		<comments>http://audikron.com/2012/01/ft-a-70/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:27:11 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=883</guid>
		<description><![CDATA[FT A70 hybrid power amplifier The FT family of amplifiers represents the culmination of an exhaustive design effort at Musical Technology. Developed with the same attention to detail and commitment to excellence that led to the design and introduction of the highly regarded Musical Technology C-1, these amplifiers are ideal complements for this reference line [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/ft-a-70/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>P1 PHONO UNIT</title>
		<link>http://audikron.com/2012/01/p1-phono-unit/?lang=de</link>
		<comments>http://audikron.com/2012/01/p1-phono-unit/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:26:15 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=881</guid>
		<description><![CDATA[P1 PHONO UNIT The Musical Technology P1 phono preamplifier represents the ultimate in phono design. In terms of both quality and flexibility it can be considered definitive; and should be compared to the best phono preamplifiers available regardless of price. The P1 is suitable for use with any existing MC or MM cartridge. Offering a [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/p1-phono-unit/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>C3</title>
		<link>http://audikron.com/2012/01/c3/?lang=de</link>
		<comments>http://audikron.com/2012/01/c3/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:25:38 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=879</guid>
		<description><![CDATA[C3 VACUUM TUBE PREAMPLIFIER The Musical Technology C-3 is a line control unit which, at a very competitive price, offers sound quality and construction integrity typical of much more expensive preamplifiers. As the stereo version of the Musical Technology C-2, the C-3 retains most of the qualities which have made the C-2 a reference component [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/c3/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>C2</title>
		<link>http://audikron.com/2012/01/c2/?lang=de</link>
		<comments>http://audikron.com/2012/01/c2/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:24:52 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=877</guid>
		<description><![CDATA[C2 VACUUM TUBE PREAMPLIFIER The Musical Technology C-2 Line Preamplifier, like the C-1, operates as two completely independent line preamplifiers to achieve absolute channel separation. The result is more precise imaging, better focus, and enhanced soundstaging. No transistor or FET is used in the audio circuit. Extended bandwidth, high intrinsic linearity, low distortion, and low [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/c2/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>C1 VACUUM TUBE PREAMPLIFIER</title>
		<link>http://audikron.com/2012/01/c1-vacuum-tube-preamplifier/?lang=de</link>
		<comments>http://audikron.com/2012/01/c1-vacuum-tube-preamplifier/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:17:57 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=868</guid>
		<description><![CDATA[C1 TUBE PREAMPLIFIER – two completely independent mono preamplifiers The Musical Technology C-1 Line Preamplifier takes the concept of sonic purity to its logical extension. Consisting of two completely independent mono preamplifiers it achieves absolute channel separation; and isolates brute force power supply components from delicate control circuitry by housing each in a separate chassis. [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/c1-vacuum-tube-preamplifier/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>INTEGRATED DUAL-MONO HIGH BIAS AMPLIFIER MT270</title>
		<link>http://audikron.com/2012/01/integrated-dual-mono-high-bias-amplifier-mt270/?lang=de</link>
		<comments>http://audikron.com/2012/01/integrated-dual-mono-high-bias-amplifier-mt270/?lang=de#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:09:20 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=859</guid>
		<description><![CDATA[INTEGRATED DUAL-MONO HIGH BIAS AMPLIFIER M270 As the company’s first offering in the realm of integrated amplifiers, the Musical Technology M270 is the beneficiary of experience gained in the design of reference-quality preamplifiers and power amplifiers. Rather than approach the effort with the attitude of compromise and capitulation, the challenge from the outset was clearly [...]]]></description>
		<wfw:commentRss>http://audikron.com/2012/01/integrated-dual-mono-high-bias-amplifier-mt270/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Audio Lab</title>
		<link>http://audikron.com/2011/12/audio-lab-2/?lang=de</link>
		<comments>http://audikron.com/2011/12/audio-lab-2/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 13:43:10 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=764</guid>
		<description><![CDATA[AUDIO LAB In general, the Audio Lab Record label has a quality that is found in few recordings. The noise level is very low. You will notice also a dynamic range seldom experienced on other records and tapes. Clean bass and titillating cymbals are here. All selections we have chosen are jazz and classic music [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/audio-lab-2/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>CISCO</title>
		<link>http://audikron.com/2011/12/cisco-2/?lang=de</link>
		<comments>http://audikron.com/2011/12/cisco-2/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 13:34:06 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=759</guid>
		<description><![CDATA[CISCO Cisco Music, the company that brought you the original audiophile 180-gram LP, The Super Analogue Disc, digs deep into Capitol’s vaults for three of the most vital recordings of all time. Whether you want Milstein’s unsurpassed performance of Dvorak’s timeless violin concerto, the witty and incredibly punchy sound of Britten’s Young Person’s Guide to [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/cisco-2/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Giovanni Arigo</title>
		<link>http://audikron.com/2011/12/giovanni-arigo/?lang=de</link>
		<comments>http://audikron.com/2011/12/giovanni-arigo/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 12:12:58 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=707</guid>
		<description><![CDATA[Giovanni Arigo hat die qualitativen Möglichkeiten der FETs, denen eine röhrenähnli­che Charakteristik zu eigen ist, dazu benutzt, Schaltungen ohne Ge­genkopplung zu realisieren. Er vermeidet damit den Kunstgriff bzw. die Notwendigkeit, bereits entstandene Fehler korrigieren zu müssen, weil er sie gar nicht erst entstehen lässt! Darauf baut eine Produktreihe bei AEC auf, die die Charakteristika von [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/giovanni-arigo/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stewart Hegemann</title>
		<link>http://audikron.com/2011/12/stewart-hegemann/?lang=de</link>
		<comments>http://audikron.com/2011/12/stewart-hegemann/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 12:09:28 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=704</guid>
		<description><![CDATA[Stewart Hegemann Zu Zeiten der epochemachenden Röhrenverstärker, den Entwicklun­gen von Saul Marantz und Frank McIntosh, erkannte er die Bedeutung der Übertragungsbandbreite und entwickelte die ersten breitbandigen Röhrenschaltungen. Diese waren, wie damals üblich, nur als Bausatz erhältlich, was eine große Verbreitung verhinderte. Mittlerweile dürfte wohl den meisten Musikhörern klar geworden sein, dass die bekannten Probleme der [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/stewart-hegemann/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Michael Weidlich</title>
		<link>http://audikron.com/2011/12/michael-weidlich/?lang=de</link>
		<comments>http://audikron.com/2011/12/michael-weidlich/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 12:08:09 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=701</guid>
		<description><![CDATA[Michael Weidlich auch ein Quereinsteiger, wurde von diesen grundlegenden Gedanken zu Physik und Akustik angeregt, intensive Forschungen in Richtung Fre­quenzweiche zu betreiben, was zu einem weiteren Patent in der Welt der Akustik führte. Ein nachvollziehbares Konzept zur „zeitrichtigen Wieder­gabe“, das einen neuen Mess-Standard mit sich brachte. So wie bei den DECCA-Tonabnehmern die „Positive Scanning“-Technik die [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/michael-weidlich/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Oskar Heil</title>
		<link>http://audikron.com/2011/12/oskar-heil/?lang=de</link>
		<comments>http://audikron.com/2011/12/oskar-heil/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 12:07:22 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=699</guid>
		<description><![CDATA[Oscar Heil ein hochdekorierter Physiker, wurde von den Amerikanern nach dem 2. Weltkrieg in die USA eingeladen und hat dort sein Leben lang für die Regierung an besonderen Projekten gearbeitet. Zu seinen Patenten zählt u. a. der Feldeffekt-Tran­sistor. Privat pflegte er leidenschaftlich die Musikwiedergabe zu­hause und daraus entstand eine ernsthafte Auseinandersetzung des Physikers mit der [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/oskar-heil/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>James Bongiorno</title>
		<link>http://audikron.com/2011/12/james-bongiorno/?lang=de</link>
		<comments>http://audikron.com/2011/12/james-bongiorno/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 12:05:31 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=696</guid>
		<description><![CDATA[James Bongiorno ist praktizierender Musiker und baute schon in seiner Jugend seinen ersten Röhren(instrumenten)verstärker. Fasziniert von der Möglichkeit, Musik besser als mit den damals käuflichen Produkten zu reproduzie­ren, ging er bei dem Marantz-Cheftechniker Sid Smith in die Lehre, praktizierte an­schließend bei Dynaco und setzte dann bei SAE sein Wissen in die Praxis um. SAE gelangte [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/james-bongiorno/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Ulrick</title>
		<link>http://audikron.com/2011/12/john-ulrick/?lang=de</link>
		<comments>http://audikron.com/2011/12/john-ulrick/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 12:04:44 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=694</guid>
		<description><![CDATA[John Ulrick Ingenieur der Satellitenübertragungstechnik und leidenschaftlicher Mu­sikhörer war Gründungsmitglied von Infinity Systems und entwarf de­ren Elektronik mit Zielsetzung „Unendlichkeit“ (zu verstehen als „un­begrenzt“). Als noch niemand digitale Technik im Audiobereich für möglich hielt, entwickelte er bereits den ersten Endverstärker in Digi­taltechnik, den er dann später in der SPECTRON-Linie perfektionierte. Aber auch seine Vorverstärker in [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/john-ulrick/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Doug Sax</title>
		<link>http://audikron.com/2011/12/doug-sax/?lang=de</link>
		<comments>http://audikron.com/2011/12/doug-sax/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 12:03:40 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=692</guid>
		<description><![CDATA[Doug Sax der Gründer, Inhaber und „Mastermind“ von Sheffield Lab erkannte im Zuge seiner Schneidetätigkeit im eigenen „Mastering Lab“ die au­ßergewöhnliche Unmittelbarkeit von „direkt“ geschnittenen 78er Schallplatten und wandte diese Technik für die neuen Stereoschallplat­ten an. Dies war die Geburt der „audiophilen“ Tonträger, denen dann durch die Einfüh­rung der CD, begleitet durch eine sehr aggressive [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/doug-sax/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pat Cooper</title>
		<link>http://audikron.com/2011/12/pat-cooper/?lang=de</link>
		<comments>http://audikron.com/2011/12/pat-cooper/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 12:03:03 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=690</guid>
		<description><![CDATA[Pat Cooper der im damaligen DECCA-Team das Tonabnehmersystem mitentwi­ckelte, das DECCA zum Abhören der neuen Stereoschallplatten benö­tigte. John Wright, ein Zögling dieses Teams, hat die Grundentwick­lung verfeinert und kann auch heute noch auf die Klasse dieses Abtas­ters stolz sein. Seit den frühen 70er Jahren vertreibt die Firma AEC die selektierten Exem­plare dieser einzigartigen Tonabnehmer mit [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/pat-cooper/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ed Miller</title>
		<link>http://audikron.com/2011/12/ed-miller/?lang=de</link>
		<comments>http://audikron.com/2011/12/ed-miller/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 12:02:18 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=688</guid>
		<description><![CDATA[Ed Miller der für den Spulenhersteller El-Rad die Anwendung von Spulen in Tunern erforschte, die beim Aufkommen der Stereo-Wiedergabe eine neue Klangwelt eröffneten. In Verbindung mit Transistorverstärkern hat er damals den Markennamen Sherwood etabliert. Als es ihm in Chicago zu kalt wurde (so die Legende), ging er nach Los Angeles, wo er bei dem (damals) [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/ed-miller/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AEC Power Line C-23 und C-24</title>
		<link>http://audikron.com/2011/12/aec-power-line-c-23-and-c-24/?lang=de</link>
		<comments>http://audikron.com/2011/12/aec-power-line-c-23-and-c-24/?lang=de#comments</comments>
		<pubDate>Sat, 31 Dec 2011 10:08:16 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=644</guid>
		<description><![CDATA[&#160; Audio En­geener­ing Com­po­nents The Power Line C-23 and C-24 are simple, beautiful, practical power amplifiers. With eight ohm loads, the C-24 will deliver fifty watts per channel of pure, undistorted sound in Class A mode, or 80 watts in A/B mode in the C-23. With four ohm loads, the Power Line C-23 will deliver [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/aec-power-line-c-23-and-c-24/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AEC C-12 preamp</title>
		<link>http://audikron.com/2011/12/aec-c-12-preamp/?lang=de</link>
		<comments>http://audikron.com/2011/12/aec-c-12-preamp/?lang=de#comments</comments>
		<pubDate>Fri, 30 Dec 2011 12:18:34 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audikron.com/?p=627</guid>
		<description><![CDATA[Audio Engeenering Components &#160; The AEC C-12 preamp and the AEC C-23 power amp were designed to work together. It is no accident that you get minimum distortion – pure music – from their combination, plus all the power needed for most hi-fi speakers. Think about the combination as an integrated amp, at least until [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/12/aec-c-12-preamp/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Zehn Gebote</title>
		<link>http://audikron.com/2011/11/ten-commandments/?lang=de</link>
		<comments>http://audikron.com/2011/11/ten-commandments/?lang=de#comments</comments>
		<pubDate>Fri, 04 Nov 2011 07:26:03 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[ziele]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=74</guid>
		<description><![CDATA[&#160; Zehn Gebote Für ALLE Ge­rä­te, die in ir­gend­ei­ner Form zur Auf­zeich­nung, zum Trans­port oder der Wie­der­ga­be von mu­si­ka­li­schen Er­eig­nis­sen die­nen, gel­ten die glei­chen grund­le­gen­den phy­si­ka­li­schen Fak­ten! I PHASENRICHTIGKEIT &#8211; Die Phase darf niemals invertiert sein! Prüfen Sie die absolute Phase aller Komponenten und stellen Sie sicher, dass die gesamte Anlage phasenrichtig verkabelt ist. Phasendrehungen [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/ten-commandments/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Celia</title>
		<link>http://audikron.com/2011/11/celia/?lang=de</link>
		<comments>http://audikron.com/2011/11/celia/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 16:41:37 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=220</guid>
		<description><![CDATA[CELIA Celia Records are made by Burwen Studios unique Indirect Disc process. The master disc for these records was cut from a high accuracy, low distortion, 100 dB dynamic range tape. The first original tapes were recorded at Burwen Studios during late 1973 and January 1974. Using 14 low noise capacitor microphones, the sound was [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/celia/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rare finds</title>
		<link>http://audikron.com/2011/11/cisco/?lang=de</link>
		<comments>http://audikron.com/2011/11/cisco/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 16:34:44 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=216</guid>
		<description><![CDATA[Rare finds Century Records &#8230; has been founded by Keysor-Century Corp., manufacturer of vinyl compounds and one of the leading pressing plants on the West Coast. “Only direct-to-disk albums will be produced,” says Glen Glancy, for many years a leading sound engineer in Los Angeles , who heads the new Keysor-Century division. Direct-to-disk recording is [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/cisco/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>LP Katalog</title>
		<link>http://audikron.com/2011/11/lp-catalog/?lang=de</link>
		<comments>http://audikron.com/2011/11/lp-catalog/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 16:01:54 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=213</guid>
		<description><![CDATA[(English) <h5 class="widget-title" style="text-align: left;"><img class="alignright" title="World of AEC" src="http://www.audikron.com/wp-content/images/cr_blue.png" alt="World of AEC" />Press Release</h5>]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/lp-catalog/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Press Release</title>
		<link>http://audikron.com/2011/11/press-release/?lang=de</link>
		<comments>http://audikron.com/2011/11/press-release/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 15:52:13 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=211</guid>
		<description><![CDATA[Press Release Classic Records is proud to announce the reintroduction of the long out of print best selling Classic – Belafonte at Carnegie Hall. This two LP gatefold edition features authentic original artwork and labels and was transferred from the original three track session master tapes. Using the original Classic metal parts Classic has now [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/press-release/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Back to mono</title>
		<link>http://audikron.com/2011/11/back-to-mono/?lang=de</link>
		<comments>http://audikron.com/2011/11/back-to-mono/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 15:26:04 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=208</guid>
		<description><![CDATA[Mono? Mono! (von Helmut Rohrwild) Keine Angst, wir sind nicht aus der Zeit gefallen! Nix Nostalgie oder Retro. Anfragen von Lesern, diverse Erzählungen aus dem Bekanntenkreis und Informationen aus dem Buschfunkwaren Anlass genug, das Thema Monotonabnehmer anzugehen. Unbestreitbar ist, dass eine Unmenge Monoschallplatten existieren, darunter viele einmalige Aufnahmen aus den frühen Tagen der schwarzen Scheibe. [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/back-to-mono/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The making off a Classic Record LP</title>
		<link>http://audikron.com/2011/11/the-making-off-a-classic-record-lp/?lang=de</link>
		<comments>http://audikron.com/2011/11/the-making-off-a-classic-record-lp/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 15:24:42 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=206</guid>
		<description><![CDATA[The making of a Classic Record LP Step 1: Take an original session tape from a legendary performance by a highly talented artist(s) to Bernie Grundman Mastering in Hollywood, CA. Step 2: Bernie &#8220;The Wizard&#8221; Grundman will transfer (cut) the music from the tape to a lacquer with extreme care after hours of direct comparison [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/the-making-off-a-classic-record-lp/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>CLASSIC RECORDS</title>
		<link>http://audikron.com/2011/11/classic-records/?lang=de</link>
		<comments>http://audikron.com/2011/11/classic-records/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 15:19:29 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=199</guid>
		<description><![CDATA[CLASSIC RECORDS &#8211; NOCH IN DEUTSCHLAND! Statt einen Werbetexter zu beschäftigen, um die Erfolgsgeschichte von CLASSIC RECORDS zu erzählen, überlassen wir das lieber gleich dem Chef von Classic Records, Michael Hob­son, selbst. Er weiß schließlich am besten, was sein Unternehmen auszeichnet und was er noch so vor hat. &#8230; Es gibt uns nun seit über [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/classic-records/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Contact</title>
		<link>http://audikron.com/2011/11/contact/?lang=de</link>
		<comments>http://audikron.com/2011/11/contact/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 14:32:29 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Kontakt]]></category>
		<category><![CDATA[contact]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=195</guid>
		<description><![CDATA[Contact Hermann Hoffmann AUDIO INT&#8217;L Gonzenheimer Str. 4 60437 Frankfurt am Main Tel.: 069-503570 Fax: 069-504733 info@audio-intl.com]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/contact/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Creators</title>
		<link>http://audikron.com/2011/11/creators/?lang=de</link>
		<comments>http://audikron.com/2011/11/creators/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 07:51:09 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=87</guid>
		<description><![CDATA[&#160; Geniale Konzepte haben &#8211; wie die Natur &#8211; kein Verfallsdatum Die wirklich großen „Würfe“ kommen offenbar immer von Menschen, die mit einem fragen­den, offenen Geist ein Thema hartnäckig angehen &#8211; ganz im Gegensatz zu Fachleuten (oder gar schlimmstenfalls „Fachidioten“), die fast immer zu viel als gegeben hinnehmen und sich deshalb nur noch auf die [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/creators/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>What is an Amplifier?</title>
		<link>http://audikron.com/2011/11/what-is-an-amplifier/?lang=de</link>
		<comments>http://audikron.com/2011/11/what-is-an-amplifier/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 07:49:46 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[ziele]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=85</guid>
		<description><![CDATA[&#160; What is an Amplifier authored by Giovanni Arigo Amplification What is an amplifier? Most people know that it works by increasing the amplitude of the signals fed into it. Actually, to put it another way, we could say that the amplifier makes a new signal at its output, an enlarged model of the smaller, [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/what-is-an-amplifier/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Time and Frequency: Impulse Response in Audio Transducers</title>
		<link>http://audikron.com/2011/11/time-and-frequency-impulse-response-in-audio-transducers/?lang=de</link>
		<comments>http://audikron.com/2011/11/time-and-frequency-impulse-response-in-audio-transducers/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 07:49:02 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[ziele]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=83</guid>
		<description><![CDATA[Über das Impulsverhalten von Lautsprechern Authored by AEC Engineering Wir hören Sprache, Geräusche, Musik. Deren Schallstruktur ist gekennzeichnet durch ständig wechselnde dynamische Schalldruckereignisse. Auch hier gilt: Nichts ist stetiger als die Veränderung! Die Signalformen der Schalldruckereignisse variieren schnell und derart stark, daß Wiederholungen praktisch nicht vorkommen. Die Komponenten einer Schallreproduktionsanlage müssen daher die Fähigkeit besitzen, [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/time-and-frequency-impulse-response-in-audio-transducers/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Musikalische Energie</title>
		<link>http://audikron.com/2011/11/music-power/?lang=de</link>
		<comments>http://audikron.com/2011/11/music-power/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 07:31:27 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[ziele]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=77</guid>
		<description><![CDATA[&#160; Music Power by Barbara Anne Scarantino Um zu erklären, was damit gemeint ist, stellt Dr. Manfred Clynes die Frage, warum ein Musikstück, das von einem „großen“ Künstler interpretiert wird, „&#8230; den Zuhörer bewegen kann, seine Stimmung verändern kann, seine Abwehrhaltung durchbrechen kann und ihm Lebensfreude vermitteln kann“, während das selbe Stück, von einem „schwächeren“ [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/music-power/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A.E.C</title>
		<link>http://audikron.com/2011/11/a-e-c/?lang=de</link>
		<comments>http://audikron.com/2011/11/a-e-c/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:10:41 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=143</guid>
		<description><![CDATA[Die Firmenphilosophie Die meisten Leute haben einen Klang dieser Qualität bisher nicht gehört &#8230; In den 20er und 30er Jahren des vergangenen Jahrhunderts unterstützte Erret Cord die Produktion verschiedener Automobile, die in Design, Leistung und Qualität von keinem Wettbewerber erreicht wurden. Diese Autos bildeten eine nahezu perfekte Kombination aus Technologie und Effekt, aus Material und [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/a-e-c/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A.E.C. Concept</title>
		<link>http://audikron.com/2011/11/a-e-c-concept/?lang=de</link>
		<comments>http://audikron.com/2011/11/a-e-c-concept/?lang=de#comments</comments>
		<pubDate>Sun, 13 Nov 2011 17:51:52 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=371</guid>
		<description><![CDATA[Audio Engeenering Components&#8195; The AEC Group, as audiophiles, engineers, and manufacturers, have studied the problem of high resolution reproduction in audio components. These studies revealed the need for new methods of electronic evaluation, new amplifier circuit concepts, and more refined fabrication techniques. A NEW WAY TO SEE The last few years in audio have seen [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/a-e-c-concept/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AEC Control Center C11M</title>
		<link>http://audikron.com/2011/11/products-aec/?lang=de</link>
		<comments>http://audikron.com/2011/11/products-aec/?lang=de#comments</comments>
		<pubDate>Sun, 13 Nov 2011 18:02:45 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=375</guid>
		<description><![CDATA[&#160; Audio Engeenering Components The AEC Control Center C11M &#8211; for untailored naturalness and uncolored transparency, for maximum audio resolution Di­rect­ness, a mi­ni­mum of cir­cuit in­vol­ve­ment to eli­mi­na­te aural de­gra­da­ti­on. Ex­cep­tio­nal­ly sta­ble and broad si­gnal band­width – 5 Hz to over 500,000 Hz. Ar­ti­cu­la­te RIAA re­pro­duc­tion, ex­ac­ting to­leran­ces to in­su­re pro­per phono re­s­pon­se. High out­put [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/products-aec/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AEC Soundlab Series</title>
		<link>http://audikron.com/2011/11/aec-soundlab-series/?lang=de</link>
		<comments>http://audikron.com/2011/11/aec-soundlab-series/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:30:36 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=147</guid>
		<description><![CDATA[A.E.C. Sound­lab Se­ries We at Audio-Intl appreciate your interest in our products. As we see it there are two main areas in our relationship as manufacturer and hifi afficionado. First is the product. Our speakers represent nearly two decades of research and development in electrostatic technology. We have solid patent and trademark protection which, in [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/aec-soundlab-series/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AEC London Series</title>
		<link>http://audikron.com/2011/11/aec-london-series/?lang=de</link>
		<comments>http://audikron.com/2011/11/aec-london-series/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:20:44 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>
		<category><![CDATA[aeclondonpreisliste]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=145</guid>
		<description><![CDATA[London’s Unique Position in Pick-Up Design AEC Lon­don Se­ries Jeder weiß, daß es hervorragende Tonabnehmersysteme gibt, die nach dem sog. Freiträgerprinzip arbeiten. So, wie jeder vernünftige Tonabnehmer. Wieso also kommt einer daher, wartet, bis jemand einen ganz neuen Magneten erfunden hat, doktert mit x Universitätsinstituten herum, bis er einem Anker eine ungeheuer komplizierte, aber stabile [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/aec-london-series/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Audiokron</title>
		<link>http://audikron.com/2011/11/audiokron/?lang=de</link>
		<comments>http://audikron.com/2011/11/audiokron/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 14:15:02 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=177</guid>
		<description><![CDATA[Die Evolution bringt eine neue Lautsprecher-Serie Die Geschichte zeigt es immer wieder auf: Die natürliche Entwicklung macht nirgendwo halt, in immer kleineren, aber doch entscheidenden Schritten nähert sie sich stets dem Bestmöglichen, dem Ideal. Was gestern gut war, verliert heute seine Gültigkeit, mehr Leistung und mehr Effektivität sind ihr Ziel, plumpe Dinosaurier haben keine Lebensberechtigung [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/audiokron/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>ESS</title>
		<link>http://audikron.com/2011/11/ess/?lang=de</link>
		<comments>http://audikron.com/2011/11/ess/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:40:46 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=150</guid>
		<description><![CDATA[<!--:en--> <!--:-->]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/ess/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Eti Technology</title>
		<link>http://audikron.com/2011/11/eti-technology/?lang=de</link>
		<comments>http://audikron.com/2011/11/eti-technology/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:50:49 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=152</guid>
		<description><![CDATA[Australian Innovation Die HiFi- und Videokabel mit dem Elektronen-Turbo Diese brandneuen Erfindungen von Eichmann Technologies lösen die drei entscheidenden Probleme herkömmlicher Verbindungen: Die Conductor-Ratio-Formel – optimiert die Signalübertragung und verbessert die Klangqualität. Der Bullet-Plug-Stecker – macht Schluss mit dem Stecker als Flaschenhals in jedem Signalweg. Das eXpress Power Enhancing Kabel – holt das Letzte aus [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/eti-technology/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>GAS</title>
		<link>http://audikron.com/2011/11/gas/?lang=de</link>
		<comments>http://audikron.com/2011/11/gas/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:00:45 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=155</guid>
		<description><![CDATA[The Great American Sound Company was formed by a small group engineers dedicated to achieving perfection in sound reproduction. For this group whose earlier contributions helped to advance the state-of-the-art in the audio industry, the new venture released their creativity and imagination, the result of which is reflected in the design and performance excellence of [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/gas/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Concept (GAS)</title>
		<link>http://audikron.com/2011/11/concept-gas/?lang=de</link>
		<comments>http://audikron.com/2011/11/concept-gas/?lang=de#comments</comments>
		<pubDate>Mon, 14 Nov 2011 16:27:23 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=478</guid>
		<description><![CDATA[We at the GAS Company are first and foremost music lovers. We believe the equipment should serve and honour the music, conveying the emotion of the experience to the listener. Simplicity is our approach to all engineering at GAS. By the time we founded the GAS Company, we realized the fewer parts, connections, and wires [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/concept-gas/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Welcome to the world of msb audio</title>
		<link>http://audikron.com/2011/11/welcome-to-the-world-of-msb-audio/?lang=de</link>
		<comments>http://audikron.com/2011/11/welcome-to-the-world-of-msb-audio/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:10:50 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=157</guid>
		<description><![CDATA[&#160; Das ist eine kleine amerikanische Firma, die D/A-Wandler und Surround Sound Decoder baut. Wir überlassen diesmal der amerikanischen Fachzeitschrift Stereophile das Wort bezüglich des Link D/A-Converter: »…No home should be without one!…« Dem schließen wir uns ohne Wenn und Aber an, denn: Suchen Sie mal Digital-Analog- Wandler, die bereits den neuen Standard der Abtastrate [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/welcome-to-the-world-of-msb-audio/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Welcome to the world of Musical Technology</title>
		<link>http://audikron.com/2011/11/welcome-to-the-world-of-musical-technology/?lang=de</link>
		<comments>http://audikron.com/2011/11/welcome-to-the-world-of-musical-technology/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 14:21:53 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=180</guid>
		<description><![CDATA[&#160; Musical Technology is based in Venice, a city recognized the world over for its art – art which has influenced all of Europe. Painters such as Titian, Tiepolo, Canaletto, and Veronese; and musicians such as Vivaldi and Gabrieli are known everywhere. A sense of color and light is typical of Venetian art and this [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/welcome-to-the-world-of-musical-technology/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Welcome to the world of SAE</title>
		<link>http://audikron.com/2011/11/welcome-to-the-world-of-sae/?lang=de</link>
		<comments>http://audikron.com/2011/11/welcome-to-the-world-of-sae/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:20:37 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[Allgemein]]></category>
		<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=159</guid>
		<description><![CDATA[„We ’re an engineering company“ – That’s where it all begins. At SAE, a product is born in engineering, not marketing. It starts as an idea about sound. A way to do something that has never been done before. Something that will furter the art of sonic reproduction. That’s why we made the first fully [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/welcome-to-the-world-of-sae/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Welcome to the world of Scientific Valve Corporation</title>
		<link>http://audikron.com/2011/11/welcome-to-the-world-of-scientific-valve-corporation/?lang=de</link>
		<comments>http://audikron.com/2011/11/welcome-to-the-world-of-scientific-valve-corporation/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 00:20:31 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[hersteller]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=161</guid>
		<description><![CDATA[Whether you’re an acoustic music enthusiast or an electronic devotee, a professional musician or simply a music lover, one quest is common to all&#8212;and that is the pursuit of musical truth. &#160; SVC’s affordable vacuum tube preamplifiers reveal the delicate nuances of musical truth so convincingly they must be heard to be appreciated. &#160; In [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/welcome-to-the-world-of-scientific-valve-corporation/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SHEFFIELD LAB</title>
		<link>http://audikron.com/2011/11/sheffield-lab/?lang=de</link>
		<comments>http://audikron.com/2011/11/sheffield-lab/?lang=de#comments</comments>
		<pubDate>Thu, 03 Nov 2011 16:44:05 +0000</pubDate>
		<dc:creator>ernesto</dc:creator>
				<category><![CDATA[schallplatten]]></category>

		<guid isPermaLink="false">http://audio-intl.com/wp/?p=225</guid>
		<description><![CDATA[SHEFFIELD LAB In 1968, Sheffield Lab recorded a live direct-to-disc album that launched the modern audiophile recording industry. In the following decades, our goal has always been the same: to capture, without compromise, the sound of world-class musicians playing together live. All Sheffield Lab albums are recorded with all the musicians performing directly to the [...]]]></description>
		<wfw:commentRss>http://audikron.com/2011/11/sheffield-lab/?lang=de/feed/&#038;lang=de</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
